Photo San Francisco 2005

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Today, I drove up into the city to attend Photo San Francisco. I was a little nervous driving by myself because I am incapable of parallel parking. Fortunately, there was plenty of head-in parking available. The event was held at Fort Mason.

Here are the highlights of the show for me…

  • Shining Waterlilies by Christopher Burkett.
  • Seeing Roman Loranc (although I was too shy to approach). I own his book, Two-Hearted Oak.
  • My new discovery is Paul Kozal. I regret not purchasing the print of “Salal Waterfall” that touched me. Maybe for my birthday, we will visit Mendocino and stop into Studio 391 Gallery.
  • Seeing in person, Dorothea Lange’s “Migrant Mother“.
  • Saw several prints from Ansel Adams, Minor White, Edward Weston, Brett Weston, and Jason Weston. Whew!

Stu Levy – Grid Portraits

I am a subscriber to Lens Work Extended. I look forward to browsing through the portfolios and listening to the commentary by Brooks Jensen. The cover of this issue is a gorgeous black and white landscape by Stu Levy. However the extended version includes his portfolio of grid portraits. I found them mesmerizing. They are 20+ individual images forming a portrait of the person in their environment, usually an artist. In most, Stu can be seen lurking somewhere in the background. The best web images that I can find are too small to really appreciate but here is an idea. See grid portraits.

His grid images are fascinating and I think that I am going to try them in my landscape work just for fun.

Robert Buelteman – Through the Green Fuse

20050713_adobeimg_0427Last nite, I attended a presentation by Robert Buelteman about his new photographic work called ‘Through the Green Fuse‘. The green fuse images are surreal and magical. The write-up said he suddenly found himself tired of black and white landscape photography and gave up the camera, lens and computer to make these images. Wow! That is all my favorite things about photography.

Before, I describe his process please review the portofolio. Let your imagination run wild about how these images were made.

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